Rabu, 08 Juli 2015

^^ Free PDF Aunty Lee's Delights: A Singaporean Mystery, by Ovidia Yu

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Aunty Lee's Delights: A Singaporean Mystery, by Ovidia Yu

Aunty Lee's Delights: A Singaporean Mystery, by Ovidia Yu



Aunty Lee's Delights: A Singaporean Mystery, by Ovidia Yu

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Aunty Lee's Delights: A Singaporean Mystery, by Ovidia Yu

This delectable and witty mystery introduces Rosie "Aunty" Lee, feisty widow, amateur sleuth, and proprietor of Singapore's best-loved home-cooking restaurant

After losing her husband, Rosie Lee could have become one of Singapore's "tai tai," an idle rich lady. Instead she is building a culinary empire from her restaurant, Aunty Lee's Delights, where spicy Singaporean meals are graciously served to locals and tourists alike. But when a body is found in one of Singapore's tourist havens and one of her guests fails to show at a dinner party, Aunty Lee knows that the two events are likely connected.

The murder and disappearance throws together Aunty Lee's henpecked stepson, Mark, his social-climbing wife, Selina, a gay couple whose love is still illegal in Singapore, and an elderly Australian tourist couple whose visit may mask a deeper purpose. Investigating the murder are Police Commissioner Raja and Senior Staff Sergeant Salim, who quickly discover that Aunty Lee's sharp nose for intrigue can sniff out clues that elude law enforcers.

Wise, witty, and charming, Aunty Lee's Delights is a spicy mystery about love, friendship, and food in Singapore, where money flows freely and people of many religions and ethnicities coexist peacefully, but where tensions lurk just below the surface, sometimes with deadly consequences.

  • Sales Rank: #103531 in eBooks
  • Published on: 2013-09-17
  • Released on: 2013-09-17
  • Format: Kindle eBook

Review
“A delicious debut! Aunty Lee’s Delights is no mere whodunnit -- it sparkles with insight into the traditions and moral complexities of modern Singapore. Rosie Lee is a terrifically original heroine.” (Louise Penny, author of The Beautiful Mystery)

“Engaging . . . Fans of Alexander McCall Smith’s No.1 Ladies’ Detective Agency series will find a lot to like.” (Publishers Weekly)

“This delightfully anachronistic series debut from playwright and occasional novelist Yu (Miss Moorthy Investigates, 2012, etc.) boasts buoyant prose and a colorful cast, led by the lovably unstoppable sleuth herself.” (Kirkus Reviews)

About the Author

Ovidia Yu is one of Singapore's best-known and most acclaimed writers. She has had more than thirty plays produced and is also the author of a number of mysteries. She received a Fulbright Fellowship to the University of Iowa's International Writers Program and has been a writing fellow at the National University of Singapore.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Just a whole lot of fun
By hover
This is a really fun book. Singapore is not my bailiwick and I loved reading about it and loved the funny, quirky characters and exotic settings for this charming book.

0 of 0 people found the following review helpful.
Good for summer read
By sbzesq
I like this series because it teaches a lot about Singapore. As for the storyline, it's simplistic but charming. Nice for summer read.

0 of 0 people found the following review helpful.
Very enjoyable and gives a nice glimpse into Singapore culture
By Amber Berg
Very enjoyable and gives a nice glimpse into Singapore culture. Reminds me of Miss Marple mysteries - I'll read more of Aunty Lee

See all 116 customer reviews...

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Minggu, 05 Juli 2015

!! Ebook Download The Cowboy's Return (Red Valley Ranchers Book 1), by Susan Crosby

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The Cowboy's Return (Red Valley Ranchers Book 1), by Susan Crosby



A good man is hard to find

Single mom Annie Bernard needed a new beginning for her young son and a miracle for her run-down farm. Enter Mitch Ryder, the sexy blue-eyed handyman who answered her call for help. Their attraction was instant, and with Mitch's tender ministrations, more than Annie's farm began springing back to life….

Mitch yearned for a fresh start of his own—or at least more time before he had to return to the life he left behind. And what better way to avoid his past than to mistakenly slip into the role of Annie's handyman? But he'd never counted on falling for Annie and her precious son. His true identity might be hidden, but his feelings toward Annie might be too strong to hide….

  • Sales Rank: #465298 in eBooks
  • Published on: 2013-06-01
  • Released on: 2013-06-01
  • Format: Kindle eBook

About the Author
Susan Crosby is a bestselling USA TODAY author of more than 35 romances and women's fiction novels for Harlequin. She was won the BOOKreviews Reviewers Choice Award twice as Best Silhouette Desire and many other major awards. She lives in Northern California but not too close to earthquake country.

You can check out her website at www.susancrosby.com.

Excerpt. © Reprinted by permission. All rights reserved.
Nostalgia struck Mitch Ryder with unexpected force as he drove the final miles toward home. He'd been out of the country and might have continued to stay away longer except his father had issued his fourth edict—more emphatic than previous ones—to get home or else. The Ryders were cattlemen, having ranched in this particular area of Northern California since the gold rush. Mitch was expected to pull his own weight in the family business, something he hadn't done for three years now.

As he drove, Mitch drew a deep breath, letting the heat of midsummer fill his lungs, savoring the magnificent view. The landscape changed with almost every mile—except for the spectacular sight of Gold Ridge Mountain, which was a constant, the centerpiece. The Red Valley surrounding it could be flat endless acres of hay or low grassy hills or orchards, all of it beautiful in its own way, but Gold Ridge Mountain dominated from every vantage point.

Nerves grabbed at Mitch as he neared the road leading to Ryder Ranch, gripped so hard he didn't make the turn but kept going. Twenty miles later, his gut finally unclenched, just before his truck coughed and lurched. "Are you trying to tell me something, Lulu?" he asked his prized old vehicle as she smoothed out. "I shouldn't have driven past the homestead?"

Mitch was only half kidding. He believed in omens. As a man who dealt with the realities every day of animals and often unforgiving land and weather, it probably seemed fanciful, but he'd learned to pay attention to his instincts, even if it was for something mechanical.

Like now. His truck coughed harder and lurched farther, signs of imminent death. He spotted the mailbox and private driveway of John "Barney" Barnard and turned in. Then Lulu died.

He checked his cell phone. No service.

Mitch didn't waste energy getting angry. He'd been asking a lot of the old girl to be in top shape after three years of neglect.

He started walking. The land looked different, less abundant, not the well-tended orchard it had always been. Barney's small, weathered house was blocked from view until Mitch got much closer, where the property looked better maintained, less of a jungle. Berry bushes stretched in orderly rows, and raised boxes held thriving plants, although the greenhouse was a dilapidated mess. Chickens pecked at the ground, ignoring him.

What had happened here? Barney had always been— The front door opened, and out stepped a woman—maybe five-five, curvy, with long, blond hair pulled into a ponytail. Younger than him, he figured, but not by much.

"It's about time," she said, plunking her fists on her hips. "Did you get lost? Or go on a binge?"

"Um, no, ma'am," Mitch said, entertained. He wondered who she'd mistaken him for.

"You were supposed to be here yesterday. That's what you promised on the phone. Look around. You can see how much work there is to be done."

Mitch swept his hat off and brushed it against his thigh as he considered her. She looked anxious, and sounded desperate.

"Well?" she asked. "Are you going to take the job? Room and board, just like we discussed, and a small salary. I can't do more than that."

His whole body relaxed as he settled his hat back on his head and moved a little nearer to the house. Mitch took her offer as an omen and went with it. She needed a handyman, apparently, and he'd just realized he could use a little adjustment time himself before going home. Whatever his father wanted was not something he was anxious to learn. "I keep my word, ma'am."

"Please don't call me ma'am. It makes me feel old."

He'd gotten close enough that he could see she had eyes the color of the moss that grew on rocks by the stream he'd played in as a boy, a dark, rich green with bits of gold—and annoyance—giving them some glitter. "What should I call you?"

"Annie. Annie Barnard." She stuck out her hand.

Mitch noted the dirt under her fingernails, the scrapes and scratches along her arms and hands. No wedding ring. He took a second, surreptitious, appreciative glimpse at her body. She would be a generous handful, that was for sure. He happened to like generous handfuls. A lot.

"Mom?"

"Come on out and meet.. I'm sorry. I don't know your name."

"Mitch." He hesitated, waiting to see if she reacted to it. The Ryder family, generations of cattlemen, was well-known, but Mitch had been gone a long time, and this woman was a newcomer. When she didn't ask for his last name, he offered his hand to the boy standing beside her.

"This is Austin," she said. "He's ten. He's a great help."

The boy grinned, eyes the color of his mother's lighting up just like hers, his hair a shade darker blond and buzz-cut.

"Are you hungry?" Annie asked. "We were just sitting down to lunch."

"I could use a little something, thanks."

"Where's your gear?"

He hitched a thumb toward the road. "My truck broke down just as I arrived."

They entered the clean, cared-for house. Mitch hadn't been inside for years, but it looked pretty much the same as he remembered. Old, threadbare furnishings and rag rugs filled the space. Maybe the curtains were new. Framed photos scattered about were her own, but nothing else had her stamp on it.

"I'd like to wash up first," he said.

"Second door on the right."

He nodded his thanks and headed in that direction, wondering how any woman hired a guy off the street like that, without even knowing his full name, offering him a room in her house, trusting him around her son—and herself.

But then, he'd never been as desperate as she seemed to be. Maybe he would do all sorts of things not in the usual way if he found himself in the same straits.

He could give her a few days' help, give himself time to feel at home again. Win-win, he figured.

Annie Barnard let out a calming breath as she ladled chili into a bowl for the man, Mitch. No last name, apparently. It was fine with her. He'd come recommended, and they'd agreed she would pay him in cash anyway. What was one more risk?

"Did you run a background check on him, Mom?" Austin whispered.

Her ten-year-old knew way too much about the scary parts of life, Annie thought. "I'm a good judge of character, honey." The man spoke well, wore clean clothes, was freshly shaven. His dark brown hair had been professionally cut. And those brilliant blue eyes just plain ol' looked honest.

Most important, she needed help. Desperately. Right now. Even if it came from a one-named drifter with an unreliable truck and a strong, powerful body. He looked like he could manage the heavy lifting around her little farm.

Annie closed her eyes for a moment. She could not fail at this. She needed to be successful—for herself, but especially for Austin. He was entitled to a stable home and good role models, more than she'd ever had. She'd grown up in a family where people didn't live in houses long enough to establish a home or keep jobs long enough to become a career. She wanted roots for herself and her son. And she loved her ramshackle farm.

Mitch took a seat where she'd set the bowl. She passed him a basket with saltine crackers. The meal wasn't fancy, but it was filling. Soon they would have fresh vegetables from their garden. Almost everything she'd canned or frozen from last year's slim crop was gone. They ate a lot of protein-rich beans.

"This is great," Mitch said. "Good and spicy."

"Thanks. We have it a lot."

"A whole lot," Austin added. "Sometimes she mixes spaghetti into it. I like that."

"Sounds tasty," Mitch said. "What's first on your list of chores, Annie?"

"I bought a new high tunnel greenhouse, so the old one needs to be disposed of. We can pile it somewhere until we can get rid of it."

"All right. Mind if I push my truck closer to the house first? I'm hoping I can fix what's wrong with it myself."

"I've got a tractor you can use to pull it. You can put it in the shed, out of the weather, if you want."

"That'd be great, thanks," Mitch said. "How long have you owned this place?"

"My ex-husband inherited it from his uncle two years ago. We decided to give it a try. He didn't take to being a grower, but I did." The truth was she'd fallen in love with the farm and out of love with him. And he'd fallen out of love with both.

"I'm going to visit him in San Diego before school starts," Austin said. "My first airplane ride. You ever been on a plane, Mr. Mitch?"

"Just recently, in fact. I was working at a cattle ranch in Argentina. Do you know where that is?"

"No. Can we look it up on the internet?"

"We can do that."

"Was it fun?"

"Yes, and hard work."

"You can question Mitch after supper, Austin. For now we need to get to work."

That brought an end to the conversation. Soon after, they went outside. Annie drove the tractor as Mitch and Austin walked alongside.

"Wow! Cool truck!" Austin said, running to it. "I've never seen anything like that."

"Her name is Lulu and she's a 1954 Chevy," Mitch said. "She belonged to my grandfather. He gave her to me on my sixteenth birthday, so I've had her a long time."

"She looks good."

"I love this old girl. I've taken care of her." He ran a hand over her fender affectionately. "Unfortunately she's been sitting in someone's garage for three years while I was gone."

Annie wondered what that large, competent hand would feel like against her own skin. When she'd first spotted him from her kitchen window as he walked toward her house, she'd been worried. She couldn't see his face, just the cowboy hat, solid belt buckle, tight jeans and boots—the whole cowboy thing. She'd been ready to send him on his way. She needed help, but she didn't need anyone that good-looking, that tempting. Then he'd spoken respectfully and intelligently, including to Austin, and his appeal increased in a different way.

"Lulu's got five windows," Austin said as Mitch hooked up the tow chain from the tractor to the truck. "I've never seen that before. She kinda needs a paint job."

"Maybe someday I'll splurge for one. I'm fond of her flaws, though. I always think about my granddad when I drive her. Annie, would you like to steer the tractor or the truck?"

"I'll take the truck. I've never pulled anything that big." She hopped inside the spotless vehicle, noted a large duffel bag on the floorboard. He'd been gone a long time. Were these his sole possessions?

Mitch came up to the driver's window. "Put 'er in Neutral, would you?"

"Does the seat move up? I can't reach the clutch."

He opened the door, found a lever and held it while she slid the whole split-bench seat forward. He smelled good. Clean. Not like aftershave, but like a breath of fresh air among the farm smells.

"Where's Neutral?" she asked, feeling ridiculous, but the gear knob wasn't etched with a diagram.

"Step on the clutch. Excuse me." He reached across her lap and wiggled the gearshift. "That's it. Just keep her true and steady. I'll do the work."

It took him a couple of seconds to take his arm away. Her thighs were on fire where he touched them. No man had laid a hand on her for a very long time. Now this sexy stranger was going to be living in her house, sleeping in the room next to hers, using the same bathroom.

He shut the truck door and jogged up to the tractor, where Austin was sitting, already forming an attachment to the man. "You allowed to drive?" Annie heard Mitch ask her son.

He shook his head. If Austin said anything, Annie couldn't hear it. It'd been a bone of contention between them. He thought he was old enough. Maybe he was. Maybe she babied him too much, overprotected him. Farm life was different for kids. Several of his friends drove tractors already.

But Austin was likely the only child she would have, because she sure wasn't getting married ever again, so she probably clung to him too much. She would only have him for eight more years before he was a man, and she'd pretty much been mother and father to him since her ex left. If Austin really did get to fly to San Diego to visit his dad, Annie would be amazed, because he made a lot of promises he never kept.

At least Mitch didn't interfere. He told Austin to slide over, then squeezed himself next to her son. After the first jerk to get the chain taut, it was a smooth, slow ride into the shed. She wondered if the truck really could be fixed. How did he get parts for a nearly sixty-year-old vehicle?

"Is this home for you? The Red Valley?" she asked him as he crouched to unhook the chains from his truck. Austin had taken off with his dog, an Australian shepherd named Bo, who loved to chase the chickens, satisfying his herding instincts.

"Yep." Mitch moved to the tractor. Her gaze dropped to his rear as he crouched down again.

She could stare at that fine feature all day. The rest of him, too. Broad shoulders, narrow waist, slim hips. All man. She deliberately looked away. "Why were you in Argentina?"

"For work."

Great. Now he'd decided to act more like a cowboy and go almost silent. "Cattle, you said."

"The opportunity came up. I went."

"Is your family still living in the area?"

"Yep. We're not estranged. I'm just kinda independent."

"Stubborn, you mean?"

He smiled at that as he stood, chains in hand. Using his wrist he tilted his hat back a little. His teeth were white and straight, his lips tempting. "Some have said so."

"So, you've worked cattle. Have you farmed?"

"I've picked up a lot of life skills along the way. I'm thirty-six, in case you're wondering."

"I'm thirty. In case you were."

He nodded but didn't comment. No flattery. No, "you sure don't look your age" compliment. Did she look older? Worn-out? Technically she should, since she was tuckered out from stringing her little farm along, hoping to turn it into a thriving enterprise again, needing to make enough money to live on with a few more comforts than they had now, which were pretty much nonexistent.

Mitch reached into the truck. "If I could stow my gear, I'll get started on the old greenhouse."

"I'll show you which room is yours," she said, walking beside him. "Austin, grab some gloves so you can help with the demo work. We'll be right back."

Annie led the way down the narrow hallway, pointing out Austin's room and her own, then Mitch's. It was beyond sparse, containing only a double bed, a dresser and a lamp.

"It's not much," she said, no apology in her voice.

"It's fine. Don't need more'n this. Thanks." He tossed his duffel on the floor next to the bed.

She moved into the doorway, blocking his exit. He cocked his head. His mouth curled up on one side.

"Ma'am?" he said politely, pointedly, his eyes taking on some sparkle.

"I'll be needing you to dump the contents of your bag onto your bed."

The smile left his face. He crossed his arms. "That would be an invasion of my privacy."

She moved into the room, shutting the door behind her in case Austin came flying in. "No. This would be your background check."

Most helpful customer reviews

4 of 4 people found the following review helpful.
Love Mitch and Annie!!
By B. Ferris
What a wonderful love story - Mitch and Annie are special H/h. Ms Crosby has created some of her best H/h IMHO

Mitch belongs to one of the local ranching families, organic beef, he knows he is loved but has been to Argentina for the last 3 years and really needs to get home and pull his weight. He's had some upsets in his life as well as his father just doesn't understand he wants to be a partner in the ranch.

Annie hasn't had the backup family that Mitch has. Her parents are tumbling weeds, always moving to take a new job, Annie's ex-husband, another tumbling weed, had inherited the farm and wanted to sell it but in their divorce she did get the farm. It's not much but Annie wants to make a life with their 10 year old son Austin. Annie wants to be an organic farmer but it's hard with just her little boy to help.

Annie thought the man was the handyman she was told she could hire when Mitch comes up her drive. He went along with her after looking around and could see she really needs someone.

It's sexual attraction right away but both try to keep it under their own hat! Mitch knows he isn't truthful with her and she doesn't want to get involved with her boy in the house. Austin takes to Mitch right away though.

This is their love story and it's a good one! All the characters are written well and the organic farming information is interesting. Austin is probably one of best child characters in any book I've read-a true 10 year old. I'm looking forward to the rest of RED VALLEY RANCHERS series.

2 of 2 people found the following review helpful.
terrific contemporary ranch romance
By Harriet Klausner
The Cowboy's Return
Susan Crosby
Harlequin Special Edition, May 21 2013, $4.99
ISBN: 9780373657483

Mitch Ryder has been away from his family ranch in Red Valley, California for three mostly out of country years. His father demanded he come home so after ignoring three previous orders, Mitch returns to Northern California, but he drives past the Ryder Ranch delaying seeing his family a little longer.

When his truck Lulu dies near Barney Barnard's spread, he walks to the house only to have a woman accost him for being late. Instead of going home, he takes a job on a neighbor's farm; but conceals from his employer single mom Annie Barnard who his family is. His work is top rate and her attraction powerful, but his patient tender treatment of her ten year old son Austin makes him perfect. That is until she learns he is the prodigal son of the family trying to buy her farm.

The first Red Valley ranch romance is a terrific contemporary due to the triangle dynamics between the fully developed characters (including Austin). The Cowboy's Return is a wonderful family drama as a lie of omission affirms what Walter Scott said: "Oh what a tangled web we weave, When first we practice to deceive"; especially when the heart becomes involved.

Harriet Klausner

2 of 2 people found the following review helpful.
The Cowboy's Return
By Mary E. Rickert
Loved reading the book. Being part of a ranching operation myself, it was nice to read about ranching and Susan Crosby did a good job portraying it accurately. I would recommend this book to others and am looking forward to the rest of her series.

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Into Thin Air (Hardy Boys Adventures Book 4), by Franklin W. Dixon

When the daughter of an amusement-park owner goes missing, it’s anything but fun and games in this Hardy Boys adventure—a new take on the classic series.

Daisy Rodriguez is missing. Just like that, gone without a trace. Her father, Hector Rodriguez—owner of Funspot, Bayport’s local amusement park—is frantic. He feels he’s to blame, since Funspot was recently the location of another disappearance. Could Daisy’s vanishing be somehow connected? Joe and Frank Hardy figured out the first Funspot mystery and are up to their necks in this one, too. Daisy doesn’t seem to have an enemy in the world; no one has a bad word to say about her. So who in Bayport wants this girl gone?

  • Sales Rank: #500691 in eBooks
  • Published on: 2013-10-22
  • Released on: 2013-10-22
  • Format: Kindle eBook

About the Author
Franklin W. Dixon is the pen name used by a variety of different authors (Leslie McFarlane, a Canadian author being the first) who wrote The Hardy Boys novels.

Excerpt. © Reprinted by permission. All rights reserved.
Into Thin Air MISSING 1 FRANK
TELL ME AGAIN WHAT YOU heard,” Officer Lasko said to me, crouching over his spiral notebook like it held the secrets of the universe.

I sighed. “I didn’t hear anything,” I said honestly, for about the tenth time. I squirmed in the hard plastic chair, wondering whether my brother and I would ever be allowed to leave. The Bayport PD had taken over the Funspot amusement park’s administrative offices, which I don’t think were comfortable under the best of circumstances. And these were not the best of circumstances. These were pretty much the worst of circumstances.

Daisy Rodriguez, the park owner’s daughter and my brother Joe’s recent lady friend, was missing.

It wasn’t a normal disappearance. No missed curfews, no sneaking out after a fight with her parents. No, Daisy had gone missing off her father’s most prized (and infamous) ride, the G-Force—sometimes called “the Death Ride.”

Let me explain.

A couple of weeks ago Funspot reopened for the season under new ownership. Hector Rodriguez had bought the park, which had been a Bayport institution for a long time but had become pretty run-down in recent years, and wanted to totally revitalize it. Step one was hiring the Piperato Brothers, famous amusement ride designers, to create an all-new amusement ride exclusively for Funspot.

That ride was the G-Force. I first rode it on opening night with my brother, his date, Daisy, and her best friend, Penelope Chung. It was, in a word, awesome. Even now that I’d ridden it countless times, I still found it hard to describe exactly what the G-Force did. It was sleek and enclosed, like a spaceship, and it’s safe to say that the seats moved around in a circle, and also up and down. Images were projected in the ride’s center, and loud rock music played. But the combined effect was pretty exhilarating. Riding the G-Force made me feel like I’d climbed six mountains, skied down a black diamond slope, slain a dragon, breathed fire, and also saved humanity from certain destruction.

Like I said: awesome.

What wasn’t awesome was the huge hoax the Piperato Brothers had pulled to gain publicity for the ride. That first night, a young girl disappeared while riding the G-Force, right under the nose of her watchful older sister. Her restraints had been cut, and the girl, Kelly, was gone without a trace. The ride was immediately closed down, but it reopened after inspectors found nothing wrong with it. And weirdly, kids flocked to the ride like rats to the Pied Piper.

They were encouraged by a “viral video” that the Piperato Brothers put together. It showed the ride in the creepiest light possible, asking viewers if they were “brave enough to ride the Death Ride.” My classmates—along with nearly all the teenagers in a fifty-mile radius—wanted to prove that they were brave enough. The lines for the G-Force swelled, even as the police struggled to find any trace of the missing girl.

Not long after, a boy—an ex-boyfriend of Daisy’s, in fact—disappeared in the same way. Parents panicked. The media pounced.

We thought we’d stopped the madness when we spotted one of the missing kids on a main street and chased him to a motel, where he’d been placed with the missing girl. These kids told an incredible story: that they’d been offered a thousand dollars to play “missing” for a couple of weeks, all to pull off a hoax and get tons of publicity for the new G-Force ride.

The hoax had been arranged by the Piperato Brothers, now in jail. The G-Force was scheduled to be torn down starting tomorrow. But since the ride had been declared safe by the inspectors, Hector had agreed to reopen it tonight for one last hurrah.

And on the first ride, Daisy had gone missing.

Unlike the others, she didn’t appear to have spent any time in the tiny crawlspace in the heart of the ride, built to be a temporary hiding place as part of the Piperatos’ plan. In fact, she’d left no trace whatsoever.

Hector was beside himself. Joe was freaking out.

And here I was, watching Officer Lasko chicken-scratch my answer into his notebook for the tenth time.

“Can I ask you something?” I asked.

“No,” replied Officer Lasko without looking up. Aha. So this was a “bad cop” night. Chief Olaf didn’t seem entirely sure how to handle my brother and me—he couldn’t seem to decide whether we were friends or foes. Usually he leaned toward foes.

“Do you have any clues?” I asked. Lasko looked up from his notebook and sighed. “Did she leave anything behind? Are you thinking the Piperato Brothers are behind this, or someone new?”

Just then the door to the small office we were borrowing opened, and in walked Chief Olaf, followed by Joe, who he’d been questioning. The chief’s expression was pretty grim, as was Joe’s. I had the feeling that Joe’s answers had been about as helpful as mine.

“I think we can let these boys go home,” Olaf said, nodding at Officer Lasko “Unless you have anything new?”

Lasko shrugged and shook his head. “Not really. They didn’t hear anything; the music was too loud. They didn’t see anything; the ride was too dark.”

Chief Olaf nodded, his lips pulled into a tight line. “All right then.”

I stood up, looking at my brother. His face was pale, and he looked exhausted. I knew he had to be suffering right now. Even though he and Daisy had recently broken up—he’d decided the case was more important than getting the girl—I knew he really cared about her.

“Chief?” I asked, trying to sound as respectful as possible. “Can you tell us anything? You know we were close to Daisy. We, um—we’re really worried about her.”

Chief Olaf paused and looked me in the eye. I could tell that he knew there was much more I wasn’t saying. He was well aware of the fact that Joe and I had helped the Bayport PD solve some pretty tricky cases in the past. He also knew that we’d gotten in trouble for our amateur sleuthing one too many times. So we’d worked out an agreement with the chief and our dad: If we followed some rules and checked in with the adults while doing our detective work, we could continue to investigate.

I think that while Chief Olaf sometimes sees us as wannabe private eyes, he knows that we’re kind of good at investigating. We kind of catch a lot of criminals. And I think the chief understands, on some level, that sleuthing is in our blood.

Still watching me, he cleared his throat. “Okay,” he said quietly. “I’m sure you realize that this information is for your ears only, and not to be shared with anyone. I’m telling you this because I know you were close to the victim. Understand?”

I nodded, and Joe did too. “We understand,” he said, an edge of desperation in his voice.

Chief Olaf continued. “We’re working on the theory that this is a copycat crime.”

Joe raised an eyebrow. “Meaning?” he asked.

“Meaning that the Piperato Brothers aren’t behind this,” the chief clarified. “They carried out the first two disappearances and the hoax, yes. But this appears to be more serious. The kidnapper is hitting closer to home, the park owner’s own daughter. We think that someone saw the Death Ride hoax in the news and was inspired to try his or her own hand.”

I nodded, thinking that over, and struggling not to ask the obvious question: Why? That was the first, and hardest, question in any investigation. Figure out why the criminal did it, and you often find the criminal.

Why would anyone want to hurt Daisy? To send Hector a message? To get revenge on her or her family?

Why?

Joe wobbled on his feet, and Chief Olaf caught him roughly under the shoulder. “Sit down, son.” He gestured for me to get up, and pulled my chair over for my brother to sit in. Joe followed orders, still looking exhausted and stressed.

“You boys had better get home,” the chief said again. “Get some sleep. Are you okay to drive?” He looked at me.

“Sure,” I said. I felt weary, but not sleepy.

He nodded. “Get going, then. We’ll call you if we learn anything.”

I stepped over to Joe and touched his shoulder. “You ready?”

Joe nodded. “I’m okay,” he said quietly. “Fresh air will help, I think.”

Chief Olaf opened the door, and we stepped out into the hallway. We could hear shouting coming from Hector’s office, one room down.

Hector’s office was on our way out. At the doorway, I peered in. An elegant, middle-aged lady was shouting at Hector, who sat slumped at his desk.

“You let this happen!” she cried, her voice rough with emotion. “With this terrible park! You forced that poor man to sell it to us, and it’s brought nothing but misery ever since!”

At our footsteps, Hector looked up at the door. His eyes contained a deep well of sadness, more intense than I’d ever seen from him.

“Frank and Joe,” he said. “Are you two okay?”

I nodded. “We’re just heading home, sir. The police are done with us.”

Hector nodded. He looked down, then gestured toward the woman. “Boys, this is my wife, Lucy. I don’t think you’ve met.”

Lucy, Daisy’s mom, looked over at us. She looked a little embarrassed to be caught yelling at Hector. “Hello,” she said.

“Frank and Joe were a huge help in finding the truth about the Piperatos,” Hector said.

I nodded. “I hope we can help find Daisy, too, sir.”

Hector winced and closed his eyes. My skin prickled with the feeling I’d said the wrong thing.

Finally he nodded and opened his eyes. “Get some sleep, boys.”

We nodded our good-byes and walked out into the dark, silent night. Funspot had been closed for hours. Everybody had been kicked out when Daisy was discovered missing. The park always felt a little creepy when it was deserted. Most of the rides had completely powered down, but a few were still blinking their bright, aggressively happy lights into the darkness.

I closed my eyes and rubbed them. I could really use some sleep.

“Did Lasko say anything interesting?” Joe asked as we walked toward the park exit.

“Not really,” I replied. “Just asked me the same questions over and over. What do you think about what the chief said?”

“About telling us if they learned anything?” Joe scoffed. “I’ll believe it when I see it.”

“No, about this being a copycat crime.” We rounded a fence that led to the exit and were plunged into near-total darkness. A few lights shone in the parking lot, but they were still too far away to do much good. We’d left the lights of the administration building behind. I shivered, and I wasn’t sure whether it was because of the sudden breeze.

Joe shrugged. “It makes about as much sense as any of this,” he said. “This doesn’t look like the hoaxes. They didn’t find any evidence that Daisy was in the little room under the ride, for example.”

“Right,” I said, pausing to make sure we were going in the right direction. We had to go down “Main Street”—a now-dark and deserted stretch of souvenir shops and food stands—to get to the parking lot. I nodded at Joe and led the way.

“I just don’t know what the motivation is,” I added. “Who would want to hurt Daisy?”

Joe nodded. “I know. Who hates Funspot that much?”

I turned around, my mouth already open to reply, but the sound died in my throat, replaced by a scream.

A dark shadow shot from behind one of the souvenir stands—arms outstretched and headed for my brother!

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By Hattie
My son loved these books! Easy read for 2 grade to third grade.

2 of 2 people found the following review helpful.
Having to gloss over the sexism and other wee bits of non-PCness in the old series was getting a little tiresome. Hooray for fem
By Cattrinka
Refreshing to read an updated Hardy Boys book. My kid is a Hardy Boys fanatic, and being as I'm the one who has to read them out loud before bedtime, I am thrilled that they've updated the series, and that the stories are told with first person POV's. Having to gloss over the sexism and other wee bits of non-PCness in the old series was getting a little tiresome. Hooray for female characters who do more than bake pies for picnics! And characters of varying ethnicities!

PS: The wrong cover is displaying on Kindle--this is not Nancy Drew. I can't figure out who to notify, but perhaps someone reading this can?

0 of 0 people found the following review helpful.
great book
By Kareem A. Franklin-Strawn
At first when I bought this book I was very enthusiastic. This book proved to be awesome. It was a great adventure. You should try it.

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The Fran With Four Brains (Franny K. Stein, Mad Scientist Book 6), By Jim Benton. Let's check out! We will certainly often discover this sentence almost everywhere. When still being a children, mother used to purchase us to consistently read, so did the teacher. Some books The Fran With Four Brains (Franny K. Stein, Mad Scientist Book 6), By Jim Benton are fully reviewed in a week as well as we need the commitment to assist reading The Fran With Four Brains (Franny K. Stein, Mad Scientist Book 6), By Jim Benton Just what about now? Do you still like reading? Is reviewing simply for you who have responsibility? Definitely not! We below supply you a brand-new publication qualified The Fran With Four Brains (Franny K. Stein, Mad Scientist Book 6), By Jim Benton to read.

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The Fran with Four Brains (Franny K. Stein, Mad Scientist Book 6), by Jim Benton

Being a mad scientist in the modern world is very hard work. With so much that needs to be done in such a short period of time, multitasking can become overwhelming. Franny needs some additional help.

But for Franny there is only one person in the world she trusts to help her with her experiments: herself. So she acquires assistance the mad-scientist way…by building a few real, live, steel-plated Franbots!

  • Sales Rank: #369762 in eBooks
  • Published on: 2013-06-18
  • Released on: 2013-06-18
  • Format: Kindle eBook

Review
"Smart, confident, and totally PUNK!" -- National Enquirer

From the Publisher
Franny K. Stein is not your average girl - she's a mad scientist. She prefers poison ivy to daisies, and when Franny jumps rope, she uses her pet snake. The kids in Franny's class think she's weird, wacky, and just plain creepy. Let your readers decide for themselves when they read these fabulously funny stories.

Spotlight is a division of ABDO Publishing Group. Grades 2-5. Each Spotlight edition is printed on high-quality paper. We use the original publisher's files to adjust the book's layout so no artwork or text is near the gutter for our reinforced library bindings specifically printed for the library market.

About the Author
Jim Benton is a writer and cartoonist whose unique brand of humor has been seen on toys, television, T-shirts, greeting cards, and even underwear. Franny K. Stein is the first character he's created especially for young children. A husband and father of two, he lives in Michigan, where he works in a studio that really and truly does have creepy stuff in it. Visit him at www.frannykstein.com.

Most helpful customer reviews

7 of 7 people found the following review helpful.
Fran's War Against the Machines, Another Great Adventure in This Sensational Series!
By James N Simpson
The Fran With Four Brains is book six in this great series of adventures following one of the most interesting and well written child characters to come along in a very long time. For those who have only read this great book and are wondering which of Benton's former books in the series to buy first, I'd recommend Jim Benton's first three Franny K masterpieces Lunch Walks Among Us, Attack of the 50-Ft. Cupid or The Invisible Fran.

I work as a library assistant and when I have asked kids if they enjoyed this and other books in this series the answer is always yes. That's pretty rare for a series of books, but this series is that good! I've checked these books out myself to see what all the fuss is about. These books all can be enjoyed by adults as well as kids, a feat not always done by junior fiction writers, even with the really popular amongst kids books. I didn't read these in order either as there's a long wait for some titles, so I'll point out they all have individual storylines so if this is the first book you've come across it can easily be read first.

Franny Stein is an interesting character who doesn't follow the stereotype little girl who plays with dolls, has tea parties with stuffed animals and the like that many authors seem to want to write about. No Franny is a very intelligent girl more interested in bats, snakes, spiders, monsters and her number one passion, being a mad scientist. Interests that gel with many a real life boy or girl these days and lets be honest, always have. The length of these books are fairly short and take my word for it these books are so good you'll probably want to get a few of them, if not the whole series. They seem to be a lot cheaper buying as a box set (where you get the first four titles, obviously not including this one) which at the time of this review seems to retail for about the same price as just two Franny K. Stein books.

In her sixth adventure Franny is getting frustrated that her mother is forcing her to spend more and more time on activities away from her lab, such as soccer, cooking and playing the bagpipes. She comes up with a brilliant plan and creates three robot versions of herself. She instructs them to master the tasks while she concentrates on her lab experiments. Only problem is with the robots so ful of energy, her mother is getting really tired. Being to young to have seen the Terminator movies, Fran is unaware of what happens when humans try to turn the machines off, or down. The machines see only one solution, rid the world of Fran and her family. It is up to Fran and her lab assistant Igor, to win the war against the machines.

5 of 6 people found the following review helpful.
Another great Franny K. adventure!
By L. Wiggins
This book just arrived Friday, and my 6- and 10-yr-olds read it together (they usually fight like cats and dogs) because they couldn't decide who should get it first! Mom ended up joining the fun, and no one left until the whole book was finished! Any time the kids keep saying "Can't we just read one more chapter", I'd say "It's a hit!"

5 of 6 people found the following review helpful.
Jim Benton does it again!
By C. Page
This is the sixth book in the Franny K. Stein series and it is just as great as all the others. My 10 year old daughter has been reading Franny K. Stein books for the past several years and has enjoyed this one tremendously. Highly recommended.

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Miss Anne in Harlem: The White Women of the Black Renaissance, by Carla Kaplan

Celebrated scholar Carla Kaplan’s cultural biography, Miss Anne in Harlem: The White Women of the Black Renaissance, focuses on white women, collectively called “Miss Anne,” who became Harlem Renaissance insiders.
 
The 1920s in New York City was a time of freedom, experimentation, and passion—with Harlem at the epicenter. White men could go uptown to see jazz and modern dance, but women who embraced black culture too enthusiastically could be ostracized.
 
Miss Anne in Harlem focuses on six of the unconventional, free-thinking women, some from Manhattan high society, many Jewish, who crossed race lines and defied social conventions to become a part of the culture and heartbeat of Harlem.
 
Ethnic and gender studies professor Carla Kaplan brings the interracial history of the Harlem Renaissance to life with vivid prose, extensive research, and period photographs.

  • Sales Rank: #243830 in eBooks
  • Published on: 2013-09-10
  • Released on: 2013-09-10
  • Format: Kindle eBook

From Booklist
*Starred Review* Frustrated by the lack of information about the strong-minded white women who played intriguing, often vexing roles in the Harlem Renaissance and who were known collectively as Miss Anne, Kaplan (Zora Neale Hurston: A Life in Letters, 2002) took up the challenge and through arduous research reclaimed astonishing and provocative lives. She presents six indelible portraits of taboo-breakers who were reviled as “either monstrous or insane” for their involvement in African American culture. Each biography is shaped by Kaplan’s vivid scene-setting, historical perspective, psychological sensitivity, narrative panache, and frank analysis of the virulent sexism and racism of 1920s America and the confluence in Harlem of grim social conundrums and a spectacular creative flowering. Kaplan’s audacious, contrary and tragic subjects include Texan Josephine Cogdell Schuyler, a spitfire journalist who married the controversial African American newspaper editor and writer, George Schuyler; Charlotte Osgood Mason, who established herself as a meddlesome patron of Zora Neale Hurston, Langston Hughes, and Alain Locke, “one of the chief architects of the Harlem Renaissance”; and scandalous steamship heiress Nancy Cunard, who, to the surprise of nearly everyone, edited the era’s “most comprehensive anthology of black life.” Kaplan’s meticulously documented and intrepid history of Miss Anne encompasses a unique vantage on the complexities of race and gender and a dramatic study in paradox. --Donna Seaman

Review
“Professor Kaplan, a biographer of the writer Zora Neale Hurston, captivatingly illuminates and places in overdue perspective.” (New York Times)

From the Back Cover

Winner, Julia Ward Howe Prize
New York Times Notable Book
Publishers Weekly, "Ten Best" Books of 2013
NPR, "Best of 2013"
Los Angeles Times bestseller
"Must Read" Book, Massachusetts Book Awards

New York City in the Jazz Age was host to a pulsating artistic and social revolution. Uptown, an unprecedented explosion in black music, literature, dance, and art sparked the Harlem Renaissance. While the history of this African-American awakening has been widely explored, one chapter remains untold: the story of a group of women collectively dubbed "Miss Anne."

Sexualized and sensationalized in the mainstream press—portrayed as monstrous or insane—Miss Anne was sometimes derided within her chosen community of Harlem as well. While it was socially acceptable for white men to head uptown for "exotic" dancers and "hot" jazz, white women who were enthralled by life on West 125th Street took chances. Miss Anne in Harlem introduces these women—many from New York's wealthiest social echelons—who became patrons of, and romantic participants in, the Harlem Renaissance. They include Barnard College founder Annie Nathan Meyer, Texas heiress Josephine Cogdell Schuyler, British activist Nancy Cunard, philanthropist Charlotte Osgood Mason, educator Lillian E. Wood, and novelist Fannie Hurst—all women of accomplishment and renown in their day. Yet their contributions as hostesses, editors, activists, patrons, writers, friends, and lovers often went unacknowledged and have been lost to history until now.

In a vibrant blend of social history and biography, award-winning writer Carla Kaplan offers a joint portrait of six iconoclastic women who risked ostracism to follow their inclinations—and raised hot-button issues of race, gender, class, and sexuality in the bargain. Returning Miss Anne to her rightful place in the interracial history of the Harlem Renaissance, Kaplan's formidable work remaps the landscape of the 1920s, alters our perception of this historical moment, and brings Miss Anne to vivid life.

Most helpful customer reviews

21 of 24 people found the following review helpful.
Miss Anne and the Free Play of Identity
By Robin Friedman
In African-American slang, "Miss Anne" refers to a white woman. The "free play of identity" is a modern concept which suggests that individual identities can be changing and fluid rather than fixed. Individuals often try to remake or reinvent themselves in various ways and choose an understanding of themselves different from the categories into which they were born.

Miss Anne and the free play of identity are brought together and explored in Carla Kaplan's new book, "Miss Anne in Harlem: the White Women of the Harlem Renaissance". The book is a group biography of six white women who, during the 1920s and 1930s reinvented themselves to varying degrees as African-American. The women became part of the cultural movement loosely described as the Harlem Renaissance. Kaplan, the Davis Distinguished Professor of American Literature at Northeastern University, is the recipient of a Guggenheim fellowship and the author of a biography of Zora Neale Hurston, among other works.

Although the Harlem Renaissance has been studied extensively, the Miss Annes of the period have received little attention. Kaplan's goal was first to find them, to study what they did, and to enter upon the treacherous world of determinining motivation. From about 60 women whom Kaplan initially identified as plausible candidates, she narrowed her field down to the six individuals that make the focus of the book, Others make frequent appearances throughout the work. Kaplan states that her book is informed by modern cultural studies, including "critical race theory, identity theory, whiteness studies and contemporary feminism" but she rightly says that the book is a biography and does not demand commitment to these fields by the reader. She identifies several questions that the Miss Annes of her book faced and that individuals still struggle with in considering questions of identity:

"Can we alter our identities at will, and if so, how? What if anything, do we owe those with whom we are categorized? Does freedom mean escaping our social categories or instead being able to inhabit those that don't seem to belong to us? The white women of Harlem lived those questions every day, with varying degrees of awareness and varying degrees of success."

There was a tension in how African American intellectuals in the Harlem Renaissance viewed race. On the one hand, many frequently sought to break down racial barriers by taking an anti-essentialist view of race. On the other hand, these same individuals frequently found a need for political and cultural solidarity as African Americans sought to better their condition and end the dehabilitating effects of racism. African Americans thus tended to be ambivalent about the Miss Annes who claimed somehow to understand their conditions. In the white society from which they came, the Miss Annes faced ostracization and ridicule.

Much of the focus of the book is sexual. In the opening chapter, Kaplan discusses several notorious early 20th Century cases of African American men marrying white women with the resulting tumult. Several but not all the Miss Annes in her book had intimate relationships with African American men while others wrote about such relationships.
She also offers an overview of the Harlem Renaissance which stresses how it attracted a great deal of participation from whites. Men found it much easier to cross into Harlem than did women.

Kaplan arranges the six women in her book in pairs, with one shorter and one longer story in each group. They are arranged under themes: "Choosing Blackness: Sex, Love, and Passing", "Repudiating Whiteness" Politics, Patronage, and Primitivism" and "Rewards and Costs: Publishing, Performance and Modern Rebellion." She offers a biography of each woman which focuses on the part of their lives they spent in reinventing themselves. Here are the six Miss Annes.

Lillian Wood never lived in Harlem. She was a midwestern woman who volunteered in mid-life to teach at an African American school in Morristown, Tennessee, where she lived from 1907 -- 1954. In 1925, she wrote a novel, "Let my People Go". When Wood was studied at all, she was thought, mistakenly, to be black.

Josephine Cogdell Schuyler was born to privilege and wealth on a large Texas ranch. She rebelled early, living in San Francisco. Moving to New York City, she was attracted to Harlem and married a famous African American writer, George Schuyler, best known for his book, "Black no More" and for his turn to political conservatism late in life. Mrs.Schuyler wrote essays and poems under a pseudonym. The marriage endured but proved unhappy to both parties.

Annie Nathan Meyer was born to a wealthy assmimilated Jewish family but rebelled early in life against its expectations. Meyer had a long career and is best known as a founder of Barnard University. In 1924 she wrote a searing play called "Black Souls" about lynching and about the sexual attraction of a white woman for an African American man. The play was produced in Greenwich Village in 1932 where it failed and was, for the most part forgotten.

Charlotte Osgood Mason inherited a fortune in her marriage and used it at first to study American Indians. She then became fascinated with Africa and African American life and gave generous grants to Harlem Renaissance figures Alain Locke,Langston Hughes, and Zora Neale Hurston. Mason was a controlling, difficult figure who ultimately alientated the individuals she tried to assist.

Fannie Hurst was born to a Jewish family and became in her day the most financially successful writer in the United States. She became involved in Harlem affairs and wrote the novel for which she is remains remembered, "Imitation of Life". The novel uses many white stereotypes of African Americans, and it alientated Hurst from much of her Harlem base.

The sixth Miss Anne, Nancy Cunard, was born to British aristocracy and was heiress to Cunard shipping. She abandoned her home early for a free modern life in Paris. She became romantically involved with an African American musician and composer and ultimately came to see herself as black. Her family disinherited her. Cunard had a controversial, erratic life, but she produced an important work, "The Negro" which was an anthology of over 800 pages of writings on African American life.

The Miss Annes in this book are well worth knowing in their own right. I particularly enjoyed the detailed discussion of their books, which were all unknown to me and, in the case of Wood and Meyer, almost forgotten. I am not sure what conclusions I would draw from the biographies about the nature of identity and its free play, other than that people are diverse, individual, and complex. The characters in the book are compelling.

The book includes intruiging photographs and a valuable bibliography which is arranged in headings under the six major characters and then under topics, such as "passing" addressed in the book.

This fascinating book will appeal to readers interested in the Harlem Renaissance, African American history, and American literature.

Robin Friedman

11 of 12 people found the following review helpful.
Black & White and Every Shade Between
By takingadayoff
Although the women known collectively as "Miss Anne" had a few things in common -- they were white, they came from middle or upper class families, and they had an intense interest in the lives of the black people of Harlem -- they were very different individuals. Fortunately, each of the six women that Professor Carla Kaplan profiles is a biography-worthy character in her own right.

Kaplan puts the late 19th century and early 20th century divisions between the races into perspective and shows how these white women, all well-intentioned, but eventually tragic in some way, tried to cross the line. Even the most well-intentioned women, those who wanted to see the artists of the Harlem Renaissance get their deserved recognition, were patronizing in their attitudes toward blacks, and some of them were simply drama queens who loved the attention they got from flouting social conventions. Even when those they purported to help recognized their good intentions, they were also put off by the superior attitude of Miss Anne.

Most tragic was probably Josephine Cogdell, who had a career as a successful writer when she married a black writer, George Schuyler. His writing improved abruptly when he married Cogdell, though no one seemed to make the connection at the time. It was an unhappy marriage and Cogdell concentrated on educating their prodigy daughter, Philippa, who eventually became a concert pianist and then a journalist. One reason the marriage was unhappy was that George's political views took a sharp turn to the right and he became a member of the John Birch Society. When Philippa followed in her father's political footsteps, it must have been difficult for Josephine.

Miss Anne in Harlem is an enlightening read on a topic not much written about. I'd like to read more about these women and others.

7 of 7 people found the following review helpful.
Scholarly But Still Quite Readable . . . .
By SundayAtDusk
This book will probably seem too scholarly for some readers. There are over 150 pages of notes at the end, and Carla Kaplan throws a lot of names, facts and ideas at the reader in the first 50 pages. Stick with it, though, if you're thinking of giving it up. Or at least go read the chapters about each Miss Anne: Lillian E. Wood, Josephine Cogdell Schuyler, Annie Nathan Meyer, Charlotte Osgood Mason, Fannie Hurst and Nancy Cunard. You'll be reading the most interesting stories of six women who are probably unknown to the majority of readers. Women who were living daring and dangerous lives during the era of Jim Crow laws, which were always claimed to be needed mostly to protect white women from black men. My favorite chapter was on Josephine Cogdell Schuyler, a writer from Texas who moved to Harlem, married a black writer, and had a genius daughter named Philippa. Even though her marriage received attention from the national press, her family back in Texas apparently never knew of her marriage or her child, even though some came to visit her in New York! To learn more about her daughter Philippa, read Composition in Black and White: The Life of Philippa Schuyler.

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@ Free Ebook Flex: The New Playbook for Managing Across Differences, by Jane Hyun, Audrey S. Lee

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Flex: The New Playbook for Managing Across Differences, by Jane Hyun, Audrey S. Lee

Renowned executive coaches and global leadership strategists Jane Hyun and Audrey S. Lee offer lessons on the vital skill of “Flexing”—the art of switching leadership styles to more effectively lead people who are different from you, allowing managers to successfully manage the multicultural workers of today and tomorrow.

Flex offers a proactive strategy for managers to navigate and leverage diversity effectively in this new global economy, showing managers how to: understand the power gap, the social distance between you and those in the workplace of different cultures, ages, and gender; flex your management style, by stretching how you work and communicate with others, and bridging the gap with more effective communication, feedback tools and building healthy teams; and multiply the effect, by teaching these skills to others and closing the power gap with clients, customers, and partners to create innovative solutions.

Creating flex in a company’s management style will impact all aspects of developing the talent you have, attracting future talent and building relationships with customers in this competitive marketplace. Now, Flex: The New Playbook for Managing Across Differences shows you how.

  • Sales Rank: #668862 in eBooks
  • Published on: 2014-03-25
  • Released on: 2014-03-25
  • Format: Kindle eBook

Review
“If you are in leadership or want to remain competitive and you don’t have a culturally diverse board or staff, you are part of the past. We need to focus now on understanding the need for developing this untapped pipeline. This remarkable resource will set you on the right path.” (--Dr. Frances Hesselbein, President, Leader to Leader Institute (formerly The Peter Drucker Institute))

From the Back Cover

The workplace around the world is changing—growing increasingly multicultural, female, and younger. Experts often tell CEOs and managers what not to do, and corporate diversity programs can often appear to be like defensive measures against lawsuits and harassment charges. While technology has connected all of us as a global workforce, it has not equipped us with the capability to interact genuinely with people. In order to be successful in this new global business environment, we need to rethink the way we lead others.

Flex offers a new approach—a proactive strategy for managers to understand and leverage difference effectively in this new global economy.

Flex shows managers how to

  • understand the power gap—the social distance between you and those in the workplace of different cultures, ages, and gender;
  • stretch your management style and bridge the gap with more effective communication and feedback tools; and
  • multiply the effect by teaching these skills to others and closing the power gap with clients, customers, and partners to create innovative solutions.

Creating flex in a company's management style will affect all aspects of developing existing leaders, attracting future talent, and building relationships with customers in this competitive marketplace. Flex shows you how.

About the Author

Jane Hyun is an internationally renowned executive coach and global leadership adviser to Fortune 500 companies, business schools, and nonprofit organizations. She speaks frequently on the topics of authenticity, culture, and leadership. A graduate of Cornell University with a degree in economics, she is the author of Breaking the Bamboo Ceiling. She lives in New York City.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Very useful for corporate managers in diverse companies; less so for others
By John Martin
Flex by Jane Hyun and Audrey S. Lee provides information for corporate managers on how to manage effectively in a diverse company. The book also contains advice for employees and on orientation programs. The book focuses on three kinds of differences: cultural, such as having employees from different countries, gender, that is to say between men and women and age, including people from several age categories. The authors say that the usual approach in such companies is to ignore differences, saying, in effect, we respect all our employees and treat them in the same manner. Such an approach they say is incorrect and instead managers should recognize these differences and actively seek to become “fluent” in dealing with them. There is a need for “intentional learning,” to develop in leaders the ability to work and communicate effortlessly with many types of people who are different from themselves. One aspect of this fluency is “code switching,” using more than one language in a single conversation with someone else who native language is different.

The authors state that there are four stages of competency: unconscious incompetence (don’t know and don’t know you don’t know; conscious incompetence (know you don’t know); conscious competence (know how to use something but have to think about it to use it) and the ideal which is unconscious competence (know how to use something and can do so without conscious effort. Their book is about reaching this last state.

All great relationships are built on trust and respect, but understanding and relating to people who are different in significant ways is critical to success. Thus the book is about adaptive leadership behavior and being fluent across differences. All organizations have some sort of hierarchy and thus there is a “power gap,” an organizational distance that separates people based on their status and position in the organization, Closing this power gap is a big part of being fluent across differences. U.S. leadership style is “aggressive self-promotion, good will, positive intent.” They also describe the traits of fluent leaders.

Regarding cultural differences they describe the contrast between (1) direct and indirect communication; (2) expressive and restrained communication; (3) relationship and task orientation; (4) individualism and collective orientation; and (5) high and low content.
They go on to consider gender and age differences.

The book also considers the topic from the point of view of those being supervised and peers. It also considers orientation of new workers, saying that “onboarding,” which is a longer process of orienting new workers is preferable to the traditional short, orientation approach at initial hiring.

In sum Flex is a valuable book for corporate managers who have a diverse work force, but it is also useful for anyone since all of us deal with diverse people in our everyday lives. I rate it at four stars because the benefit is not equal for everyone. I would rate it as five stars for corporate managers in diverse working environments, but at three for the average person who is not in such a situation.

3 of 4 people found the following review helpful.
Invaluable information, insights, and counsel with regard to how to be come and help others to become a "fluent leader"
By Robert Morris
According to Jane Hyun and Audrey S. Lee, "This book offers what courageous, thoughtful leaders need in order to operate successfully in today's diverse, global marketplace." What specifically do they need? The core competencies include being able to understand, respect, and acknowledge differences between and among those for whom they are responsible; adjust ("flex") their management style to accommodate those differences; and minimize (if not eliminate) any "power gap" defined in terms of gender, age, or cultural differences. I agree with Hyun and Lee about the importance of cultural fluency at all structural levels and in all operational areas of the given enterprise. This fluency does not invalidate authority. On the contrary, for both leaders and followers, it [begin italics] enriches [end italics] it.

That is to say, cultural fluency is by no means limited to the C-level nor to managers elsewhere. Mutual respect and trust (worthy of the name) can and should be established and then nourished regardless of title or status. Emotional intelligence is best demonstrated by body language and tone of voice as well as by behavior over time, not by what is said, however eloquent that may be.

However, Hyun and Lee are spot on when observing that a fluent leader "is more than just someone who is emotionally mature, demonstrates empathy, and is able to make an accurate assessment of [people and their emotions. The fluent leader must also demonstrate elements of innovative thinking, but there are other aspects of this style that go beyond creativity and thinking outside the box." Such as what? Hyun and Lee offer a full-range of defining characteristics as well as leadership beliefs and behaviors that, in their shared opinion, a fluent leader possesses.
These are among the dozens of business subjects and issues of special interest and value to me, also listed to indicate the scope of Hyun and Lee's coverage.

o The High Stakes of Losing Our Best Talent (Pages 5-7)
o What Women Bring to the Leadership Table (14-15)
o Hardwired for Sameness (19-22)
o The Key Competency: Fluency (24-26)
o Identifying the Power Gap, and, How the Power Gap Manifests Itself on Your Team (34-46)
o The Art of Flex (68-70)
o The Fluent Leader Mind-Set (79-87)
o Look for Creative Ways to Bridge the Power Gap (101-111)
o Tap into Hidden Potential and Promote the Right People (121-124)
o The Importance of Navigating the Power Gap with Peers (130-136)
o Obstacles to Closing the Gap from the Bottom Up, and, Don't Put Authority Figures on a Pedestal (152-156)
o Working with Bosses Who Maintain Their Power Gap (164-169)
o Meaningful Engagement Begins with Closing the Gap (210-212)
o Great Onboarding Models (221-226)
Note: Hiring great talent is essentially worthless if the onboarding process fails.
o Multiple Ways to Support, Guide, and Grow Your Employees (236-238)
Note: All great supervisors have a "green thumb" for doing this and help direct reports to develop one.
o Fluent Leadership is Needed to Facilitate Innovative Thinking, and, How Difference Drives Innovation (265-267)
o Encourage Management Styles That Spur Innovative Thinking (267-271)

I agree with Jane Hyun and Audrey S. Lee that divergent thinking can drive innovation. This is what Roger Martin has in mind, in The Opposable Mind, when suggesting that integrative thinking involves "the predisposition and the capacity to hold two [or more] diametrically opposed ideas" in one's head and then "without panicking or simply settling for one alternative or the other," be able to "produce a synthesis that is superior to either opposing idea." Throughout his presidency, Abraham Lincoln frequently demonstrated integrative thinking, a "discipline of consideration and synthesis [that] is the hallmark of exceptional businesses [as well as of democratic governments] and those who lead them." Principled dissent is essential to the success of this process.

Obviously, no brief commentary such as mine can possibly do full justice to the abundance of information, insights, and counsel that are provided in this book but presumably I have, at least, indicated why I think so highly of it. Given the challenges that await leaders in years to come as well as those with which they must cope now, fluency and flexibility are not only desirable and important, they are essential and imperative.

* * *

More a quibble than a complaint, the book has no index. Hopefully one will be added if and when it there is a second edition.

1 of 1 people found the following review helpful.
A unique blend of pragmatic guidance with a solid research base
By Karen Key
This is a terrific book - really distinctively valuable for people in executive positions as well as team leaders and other leading from where they are in organizations. Jane Hyun and Audrey Lee have achieved a masterful blend of accessible, practical advice and useful stories that are grounded in research and scholarship. While most readers won't want to read the underlying scholarship, it's great to know that it's there - that Hyun and Lee have both walked the talk as executives and also have mastered the literature of the field. Flex offers something new and valuable to individuals and organizations that truly do want to manage across differences and benefit from all that differences can offer.

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